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Peter Waite

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Crystal Palace/Retiro/Madrid, 2017, 6 x 8 feet, acrylic on panels

Crystal Palace/Retiro/Madrid, 2017, 6 x 8 feet, acrylic on panels

THRESHOLDS

December 26, 2017

Recent Paintings/Peter Waite

Winster Wachter Fine Art

203 Dexter Avenue, Seattle, WA 98109
January 17th – March 7th, 2018
Opening reception with the artist Thursday,
January 18th, 6-8pm

For me, visual experience is temporary and fragmented, and visual memory is constantly adjusting details to make impressions – whether pleasing or haunting – last a little longer.   Using a combination of on site sketches, snap shots and memory, I depict real visits to real places; my intent is to make the ordinary extraordinary, the familiar unfamiliar and of course, vice versa.

The term 'frozen motion' eludes and intrigues me both in choosing subject matter and later painting it.  My painting is then an effort to resolve the tension between the stability of a fixed and unique location in space, and the many different emotions, meanings, purposes and ironies that build up in the atmosphere or 'aura' that one both senses at the site and 'remembers' from one's own knowledge or experience.

I also think about what a carpenter friend once said: "You know Pete, nothing ever really gets fixed."

The paintings in this exhibition came about from recent encounters with locations in Los Angeles, Cincinnati, New York, Barcelona, Madrid, and, closer to home, New England.

WinstonWachter.com

 


Lecture Theater/Liverpool, 2015, 4 x 6 feet, acrylic on panels

Lecture Theater/Liverpool, 2015, 4 x 6 feet, acrylic on panels

site/sight

February 6, 2016

Recent Paintings/Peter Waite
March 10th – April 16, 2016
Opening reception with the artist Thursday, March 10th, 6-8pm

Winston Wachter Fine Art is excited to announce an exhibition of new work by Peter Waite. Through large-scale realist paintings of uninhabited architectural spaces highlighted with fluorescent lines and washes, site/sight transforms familiar places into investigations of vision, image making, and memory.

In this series, Waite depicts public spaces that were built for specific activities. Some are transitional areas designed to facilitate the movement of people like stairways, train stations, and hallways. Others depict spaces of leisure or formal assembly such as a swimming pool or a lecture theater. They are common places that viewers can identify, triggering personal memories of public space. All are empty with a sense that people have just left or will soon arrive. With this latent energy, Waite's work depicts not only architecture but also the feeling of being present within it.

This energy is heightened by bright synthetic colors overlaid in geometric lines and areas along the borders of the images. These are the colors of safety warnings and emergency vehicles, signs and advertisements–attention-grabbing colors in an attention-deprived society. Waite is looser and more gestural with these lines and drips than in earlier work, while the images themselves maintain an aura of almost neoclassical order. The lines suggest an underlying plan as found in architectural diagrams or grid lines used by commercial artists and draftsmen, emphasizing the process of painting itself. They also evoke the unseen physical world–of laser beams, gamma rays, particle movement–indicating action in an otherwise still place. These dynamic lines appear as though they lie just under the surface of the image, creating tension between representation and abstraction, stillness, and vibrancy. Through his depiction of common places laced with an uncommon energy, Waite celebrates these oft-forgotten, active spaces encountered in everyday life.

Peter Waite was born in North Adams, MA and currently works and resides in Connecticut. He received a BFA from the Hartford Art School, University of Hartford, in West Hartford, CT, and an MFA from the School of the Art Institute of Chicago. He has received many awards including from the National Endowment for the Arts, the Gottlieb Foundation, a Guggenheim Fellowship, and a Pollock-Krasner Fellowship. Waite's works have been featured in the New York Times, Art New England, BOMB, Harper's, and Time Out New York. Waite's paintings are in many public collections including the Metropolitan Museum of Art, the Wadsworth Atheneum Museum of Art, the Williams College Museum of Art, and the New Britain Museum of American Art. Some of his commission work includes projects for the University of Connecticut; the NASA Art Program in Washington, DC; Pacific Enterprises in Los Angeles; the Waterbury Criminal Court in Waterbury, CT.

For further information, please contact Amanda Snyder at asnyder@winstonwachter.com or 212-255-2718

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All images © 1987–2019 by Peter Waite

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